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Unique Notes: 11 - 15
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BSG
J.S. Bach: Gute Nacht, o Wesen (BWV 227, #9)
BSG
7:34 Est. Play
Time
106 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 16 0 5 5 100%
Soprano Treble 18 0 6 6 99%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 16 0 5 5 100%
Soprano Treble 18 0 6 6 99%
Treble 16 0 5 5 98%
Alto Treble 12 0 2 3 36%
 
Praise, my Soul, the King of Heaven (Lauda Anima) (with organ accomp. and newly-composed interlude (at Hauptwerk Doesburg ) and descant!)
BSG
6:56 Est. Play
Time
133 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 20 29 7 4 98%
Bass 17 4 4 3 62%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 20 29 7 4 98%
Bass 17 4 4 3 62%
Bass 23 17 7 4 100%
Alto Treble 12 0 1 4 76%
Soprano Treble 10 0 1 2 76%
Bass Bass 17 0 4 4 57%
Tenor Treble 10 0 1 4 57%
Descant Treble 9 0 1 4 19%
 
J.S. Bach: Wohl mir, daß ich Jesum habe (“Jesu, Joy of Man's Desiring”, BWV 147 #6)
BSG
3:40 Est. Play
Time
71 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 12 0 3 5 69%
Bass 16 0 3 6 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 12 0 3 5 69%
Bass 16 0 3 6 100%
Bass 8 0 1 3 45%
Cello Bass 16 0 3 5 100%
Violin Treble 22 0 7 3 94%
Treble 16 0 3 4 94%
Viola 13 0 2 5 94%
Alto Treble 8 0 2 3 45%
Bass Bass 14 0 1 3 45%
Soprano Treble 7 0 1 5 45%
Tenor Treble 8 0 1 3 45%
 
C. Wesley: Lo! He comes, with clouds descending (Helmsley) (arr. BSG 2016)
BSG
4:55 Est. Play
Time
104 Measures
1,402Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 16 1 3 6 100%
Bass 16 0 2 6 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 16 1 3 6 100%
Bass 16 0 2 6 100%
Bass 13 6 2 6 100%
Voice Treble 10 0 0 6 75%
Bass 10 0 0 6 75%
Bass
Trombone		 Bass 16 0 2 5 25%
Descant Treble 10 0 0 5 25%
 
J. S. Bach: Ist Gott versöhnt (BWV 122 #4)
BSG
4:00 Est. Play
Time
62 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 21 0 6 5 100%
Contrabass Bass 21 0 6 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 21 0 6 5 100%
Contrabass Bass 21 0 6 5 100%
Realization Treble 22 39 7 6 98%
Tenor Treble 15 0 3 5 77%
Soprano Treble 18 0 6 6 76%
Alto Treble 12 0 3 5 55%
Viola 11 0 3 4 42%
 
J. S. Bach: Chorus: "Es ist nichts Gesundes an meinem Leibe", BWV 25 #1
BSG
4:58 Est. Play
Time
74 Measures
1,502Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 25 0 9 7 99%
Contrabass Bass 25 0 9 7 99%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 25 0 9 7 99%
Contrabass Bass 25 0 9 7 99%
Violin
2		 Treble 20 0 6 5 89%
Viola 23 0 8 5 88%
Violin
1		 Treble 20 0 7 6 86%
Alto Treble 16 0 6 5 85%
Bass Bass 18 0 6 8 84%
Tenor Treble 18 0 6 6 84%
Soprano Treble 17 0 6 7 81%
Tenor
Trombone		 12 0 3 4 28%
12 0 3 5 28%
Bass
Trombone		 Bass 14 0 4 6 28%
C
Trumpet		 Treble 8 0 0 4 28%
 
J.S. Bach: Gute Nacht, o Wesen (BWV 227, #9) (trsc. for organ)(Hauptwerk/Sonus Paradisi Doesburg)
BSG
7:34 Est. Play
Time
106 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Treble 16 0 5 5 100%
Pan
Flute		 Treble 20 0 8 6 99%
C
Trumpet		 Bass 12 0 2 3 36%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Treble 16 0 5 5 100%
Pan
Flute		 Treble 20 0 8 6 99%
C
Trumpet		 Bass 12 0 2 3 36%
 
J. S. Bach: Du wahrer Gott und Davids Sohn (BWV 23, #1)
BSG
7:39 Est. Play
Time
62 Measures
3,722Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Bass 28 0 12 5 100%
Vcello/Ctinuo Bass 28 0 11 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Bass 28 0 12 5 100%
Vcello/Ctinuo Bass 28 0 11 5 100%
Cto
Rlz		 Treble 23 125 8 10 95%
Oboe
1		 Treble 24 0 9 11 94%
Oboe
2		 Treble 23 0 8 9 90%
Alto Treble 15 0 6 12 60%
Soprano Treble 15 0 5 14 58%
 
Es ist das Heil (Eingangschor) (di BSG, 1994, 2001)
BSG
8:12 Est. Play
Time
83 Measures
4,627Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Treble 24 80 8 6 85%
Bass 21 0 6 6 100%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Treble 24 80 8 6 85%
Bass 21 0 6 6 100%
CB Bass 21 0 6 6 100%
Vcl Bass 21 0 6 6 100%
Viola 20 0 7 7 100%
Vn
1		 Treble 23 0 9 8 100%
Vn
2		 Treble 20 0 6 6 100%
Flute Treble 27 0 10 10 99%
Bass Bass 18 0 6 6 49%
Sop Treble 16 0 5 6 49%
Alto Treble 16 0 5 5 48%
Ten Treble 12 0 2 5 42%
Tenor
Trombone		 Treble 12 0 2 6 42%